And Then Comes Marriage by Celeste Bradley
Mrs. Miranda Talbot has always lived her life quietly and by the rules, but now that she is a widow with means, she has a freedom she has never experienced before. She is happy to enjoy the courtship of Mr. Pollux Worthington after he saves her from being run over by a carriage. She is unaware that Poll has an identical twin, Castor and so when Castor saves her from the twins' exploding invention, she believes it is Poll and is happy to give him a kiss. Castor likes this beautiful widow but horrified to learn that his own twin has been courting her for a month so they come up with a solution: they will both court her and the winner will be the one who gets her to say yes to a marriage proposal. Miranda is shocked at first, but decides that she should finally start having fun for herself, and agrees to the twins absurd proposal. They divvy up their time and both begin their courtship by escorting her around town, taking her on trips, and trying to prove that they will be the one to make her happy.
Meanwhile Castor approaches the Prince Regent to ask for a Royal Grant so that he can continue to make inventions, but Prinny only agrees if Castor can stay out of the scandal sheets. Miranda's former sister-in-law is furious that Miranda was given the family's house after Mr. Talbot's death, and is determined to regain her rightful place in the house and does not hesitate to try to make Miranda's life miserable. Miranda is coming to realize that although she enjoys spending time with Poll, it is clear that Castor is the one she feels more of a connection with. But their little sister, Attie, believes that Miranda is sowing discord between the brothers, and tries to separate them. After on disastrous kiss with Poll, Miranda knows that he belongs with Castor, but his past experiences with relationship have left him scarred and she must show him that he is ready for a true loving relationship with her.
So the first thing that jumped out at me was the fact that Miranda is being courted by two men who look exactly alike. This would have been acceptable if the book could have at least done more to distinguish between the two brothers. Unfortunately I feel like there was enough difference between the brother's and I found myself getting confused about which brother had done what with her. She apparently could tell them apart because she was far more attracted to one then the other, but I really could not. Miranda was a very well developed character and we were constantly learning new things about her. Her past was quite checkered and made her a very interesting person and made her more "real" than other romance novel heroines. Castor didn't really distinguish himself as super distinct from his brother, until towards the end when a tortured past was kind of thrown in there when I had begun to really appreciate that he didn't have one. His dark past involved a bad relationship that left him with a kinky side in bed that was hot, mildly disturbing, and rather confusing really.
There was a lot of heat between Castor and Miranda, which was in direct contrast to the absolute lack of heat between Poll and Miranda, and it permeated the entire novel. Castor's sexual proclivities included a need to kind of dominate, kind of control, and kind of own the person he was having sex with. It was hot and kinky but then Bradley backtracked by having them slightly reverse roles and it felt like a cop out on her part. The Worthington family was cute in its' eccentricities, but it quickly became annoying to have them constantly appearing and doing such insane things as I am not a fan of novels that feature too many past or future characters. I did enjoy reading about Miranda's past and how she was changing as a person and I found the minor side plot involving her former sister-in-law very entertaining.
Rating: An enjoyable read overall with a wonderful heroine, but the situation involving the twins and then Castor's sexual proclivities did bring down the book.
Showing posts with label Celeste Bradley. Show all posts
Showing posts with label Celeste Bradley. Show all posts
Friday, October 18, 2013
Friday, May 10, 2013
When She Said I Do
When She Said I Do by Celeste Bradley
When Calliope Worthington and her family are caught in a rainstorm they take refuge in a seemingly uninhabited ramshackle castle. While her family sleeps she wanders the halls in her chemise and finds a chestful of jewels and unable to help herself she tries them on. Sir Lawrence Porter has attempted to escape the outside world after a betrayal by his friends left him hideously scared and he hopes to live out his remaining days drinking in private. He follows the sound of singing and finds an angel who he wastes no time in trying to seduce and Callie can't help but respond to his dark spell. A family member catches them in a compromising situation and to prevent a duel Callie agrees to marry Ren, sight unseen, for as long as it takes to work of her debt to him. Ren had never hoped to know the joy of woman's touch again and, even knowing he shouldn't, he unleashes his darkest desires on her and finds that she responds with a passion equal to his. Callie loves the pleasure that he gives her and wants to know how far she will allow him to push her boundaries.
She has also decided to help Ren improve his life, from trying to make friends with the very reluctant villagers to cleaning up the years of dust and grime that have accumulated. But mysterious accidents begin to befall Callie as a ladder is knocked from under her, a horse gets spooked, and the cellar door slams shut on her. Ren cannot believe that there is someone out to hurt her until a blast from his past shows up and he wonders if his former friends, the ones who betrayed him, are out to finish the job. He continues to weave his spell on her in the bedroom, and elsewhere, and finds that he cannot bear the thought that she will leave him one day. He is the one to rescue her each time an accident occurs and she begins to like her newfound freedom away from her eccentric family. A glamorous ball brings everyone together and Ren is forced to confront his past and his fears of losing Callie while she must find away to set priorities in her life. The bad guys have come at last and Ren will do anything to rescue the happiness he has found with Callie and save the future they hope to have together.
Callie was industrious and joyful and her constant joyfulness did sometimes get on my nerves, but I admired her introspection as she discovered what she expected out of life. She was friendly and eager to please and her desire to become a real part of village life was very likable and overall she came across as a very genuine person. Ren was shaped by his horrible past and I understood why he would chose the path in life he did and even though many brooding heroes annoy me, he displayed a willingness to change and adapt that took the edge of his darkness. She brought light and happiness to his life and became his reason for living, which I don't particularly like in a romance as they both need something to make them their own person. He was a hero to her as he rescued her time and time again but I really did not feel like he proved himself worthy of so much affection from her, except in the bedroom. They spent very little time together outside of sexual activities and I would have liked more non-sexual time.
The sex took center stage in this novel, partly because of the large amount of sex Ren and Callie engaged in, but mostly because of the nature of the sex. Their sexual relationship would definitely be categorized as a dominant/ submissive one as he gave orders and she followed them. This arose from their bargain and him not wanting her to see him, but quickly progressed into something both of them desired. Their was very little reflection on what drove both of them to want this type of sexual relationship and just as little about the specific nature of their relationship. There was no real bondage or spanking (or things of that nature) but it definitely is in the very kinky category. I wish there had been more reflection and discussion as I feel like that is necessary in this type of relationship, but both were happy with what they had and suffice to say it was quite hot. The side plot involving the bad guys was great and I liked that we got to see what made them tick. Her family featured prominently and their eccentricity quickly became annoying so I was glad they only appeared occasionally.
Rating: A fun heroine and a strong relationship accompanied by very hot sex and a well developed murder (ish) plot.
When Calliope Worthington and her family are caught in a rainstorm they take refuge in a seemingly uninhabited ramshackle castle. While her family sleeps she wanders the halls in her chemise and finds a chestful of jewels and unable to help herself she tries them on. Sir Lawrence Porter has attempted to escape the outside world after a betrayal by his friends left him hideously scared and he hopes to live out his remaining days drinking in private. He follows the sound of singing and finds an angel who he wastes no time in trying to seduce and Callie can't help but respond to his dark spell. A family member catches them in a compromising situation and to prevent a duel Callie agrees to marry Ren, sight unseen, for as long as it takes to work of her debt to him. Ren had never hoped to know the joy of woman's touch again and, even knowing he shouldn't, he unleashes his darkest desires on her and finds that she responds with a passion equal to his. Callie loves the pleasure that he gives her and wants to know how far she will allow him to push her boundaries.
She has also decided to help Ren improve his life, from trying to make friends with the very reluctant villagers to cleaning up the years of dust and grime that have accumulated. But mysterious accidents begin to befall Callie as a ladder is knocked from under her, a horse gets spooked, and the cellar door slams shut on her. Ren cannot believe that there is someone out to hurt her until a blast from his past shows up and he wonders if his former friends, the ones who betrayed him, are out to finish the job. He continues to weave his spell on her in the bedroom, and elsewhere, and finds that he cannot bear the thought that she will leave him one day. He is the one to rescue her each time an accident occurs and she begins to like her newfound freedom away from her eccentric family. A glamorous ball brings everyone together and Ren is forced to confront his past and his fears of losing Callie while she must find away to set priorities in her life. The bad guys have come at last and Ren will do anything to rescue the happiness he has found with Callie and save the future they hope to have together.
Callie was industrious and joyful and her constant joyfulness did sometimes get on my nerves, but I admired her introspection as she discovered what she expected out of life. She was friendly and eager to please and her desire to become a real part of village life was very likable and overall she came across as a very genuine person. Ren was shaped by his horrible past and I understood why he would chose the path in life he did and even though many brooding heroes annoy me, he displayed a willingness to change and adapt that took the edge of his darkness. She brought light and happiness to his life and became his reason for living, which I don't particularly like in a romance as they both need something to make them their own person. He was a hero to her as he rescued her time and time again but I really did not feel like he proved himself worthy of so much affection from her, except in the bedroom. They spent very little time together outside of sexual activities and I would have liked more non-sexual time.
The sex took center stage in this novel, partly because of the large amount of sex Ren and Callie engaged in, but mostly because of the nature of the sex. Their sexual relationship would definitely be categorized as a dominant/ submissive one as he gave orders and she followed them. This arose from their bargain and him not wanting her to see him, but quickly progressed into something both of them desired. Their was very little reflection on what drove both of them to want this type of sexual relationship and just as little about the specific nature of their relationship. There was no real bondage or spanking (or things of that nature) but it definitely is in the very kinky category. I wish there had been more reflection and discussion as I feel like that is necessary in this type of relationship, but both were happy with what they had and suffice to say it was quite hot. The side plot involving the bad guys was great and I liked that we got to see what made them tick. Her family featured prominently and their eccentricity quickly became annoying so I was glad they only appeared occasionally.
Rating: A fun heroine and a strong relationship accompanied by very hot sex and a well developed murder (ish) plot.
Labels:
4 Hearts,
Celeste Bradley,
Dominance/ Submission,
England,
Historical,
Regency
Friday, February 15, 2013
Fallen
Fallen by Celeste Bradley
Isadora Temple has lived with her aunt and uncle since her parents' death and she comforts herself as she works herself to the bone for her cheap family with the knowledge that she will soon come into her inheritance and be able to start her own life. At a house party Lord Julian Rowley, heir to the Duke of Beckworth, mistakes her bedchamber for that of the fantastically beautiful, and very married, Lady Claire Bottomly, and the two are caught in a very compromising position. Sensing the desperation of the situation, Izzy claims that she and Julian are lovers and their betrothal is quickly announced. Izzy and Julian decide that they will go along with the betrothal for a few months, until Izzy comes into her inheritance, and then they will quietly call things off and go on with their lives. This suits both their purposes, as Julian's grandfather is threatening to cut him out of the line of succession, and his father thinks that the plain spinster will be good for his rakehell son. But Julian had not counted on being so drawn to his very proper fiance or for her whole hearted defense of him to his very mean father. For the first time Julian discovers what it would be like to have someone like him and think of him as more than a waste and decides that he doesn't want to fake this betrothal.
Izzy does not ever want to become some man's property and certainly does not want to marry out of necessity, but when she discovers that her family has frittered away her inheritance, she is horrified and does not know quite what to do with herself. Julian is upset as well, but sees this as an opportunity to convince her to marry him and he is willing to use every weapon at disposal, including seduction. Izzy is beginning to fall for Julian and appreciate the changes he has made to himself and the decent man hidden behind the rakish exterior, but she cannot forget that he was meeting someone else for a liasion when they met. Julian feels Izzy slipping away from him, but does not know how to win her over and he becomes fearful that she is transferring her affections to his friend Alex and when the passion of a fight becomes passion of another sort, their marriage is no longer in doubt. But neither knows how to admit to their feelings for fear of being rejected and much pride and fear ensue until a horrible accident makes it clear to both of them that the only thing that matters is their love for the other.
Izzy was a very complex character and there were times when I loved her, but there were also many times that I hated her. I liked that she was not a complainer, but I hated how she often came across as a doormat letting her family take huge advantage of her. I liked that she fought so passionately for those she cared about, but it came across as more than a tad ridiculous when she so virulently defended Julian to his father after having known him for such a short amount of time. I liked that she recognized her own feelings and admitted them to herself, but hated how she covered them up for so long and how that led to so much superfluous angst and heartache. I liked how she was determined to make decision about her own life but it seemed naive considering she was an unmarried women in London in the 19th century. She was full of contradictions, which is definitely a more realistic portrayal of a character, but it also made me frustrated as I found myself waffling between cheering her on and wanting her to make a decision I would agree with. Julian inspired the same contradictory feelings in me, depending on how kind and thoughtful he was being to Izzy so I was left unsure of how to really feel about either of these characters.
Their relationship was tumultuous to say the least as they seemed to be operating at cross purposes for much of the novel and both of them were so concerned that the other didn't share their feelings, that the book dragged by the middle. The two had some moments together, but I really would have liked to see more genuine interactions between these two; scenes where they weren't arguing, weren't constantly worried that their feelings weren't returned, weren't discussing how their relationship wasn't real. That really would have brought the book up in my opinion and would have made their relationship more believable and far more enjoyable. There was very little sex in the book and it was not very hot, lukewarm at best, and lead to such complex problems and more angst that it really did not seem worth it. The writing was definitely slower than I like in my romance novels, hampered by the air of depression the book took on as both of them were worried over whether the other loved them and the book took me far too long to finish.
Rating: A good first half, but the book quickly got bogged down with two characters that suffered from personality disorder and an inability to find happiness.
Isadora Temple has lived with her aunt and uncle since her parents' death and she comforts herself as she works herself to the bone for her cheap family with the knowledge that she will soon come into her inheritance and be able to start her own life. At a house party Lord Julian Rowley, heir to the Duke of Beckworth, mistakes her bedchamber for that of the fantastically beautiful, and very married, Lady Claire Bottomly, and the two are caught in a very compromising position. Sensing the desperation of the situation, Izzy claims that she and Julian are lovers and their betrothal is quickly announced. Izzy and Julian decide that they will go along with the betrothal for a few months, until Izzy comes into her inheritance, and then they will quietly call things off and go on with their lives. This suits both their purposes, as Julian's grandfather is threatening to cut him out of the line of succession, and his father thinks that the plain spinster will be good for his rakehell son. But Julian had not counted on being so drawn to his very proper fiance or for her whole hearted defense of him to his very mean father. For the first time Julian discovers what it would be like to have someone like him and think of him as more than a waste and decides that he doesn't want to fake this betrothal.
Izzy does not ever want to become some man's property and certainly does not want to marry out of necessity, but when she discovers that her family has frittered away her inheritance, she is horrified and does not know quite what to do with herself. Julian is upset as well, but sees this as an opportunity to convince her to marry him and he is willing to use every weapon at disposal, including seduction. Izzy is beginning to fall for Julian and appreciate the changes he has made to himself and the decent man hidden behind the rakish exterior, but she cannot forget that he was meeting someone else for a liasion when they met. Julian feels Izzy slipping away from him, but does not know how to win her over and he becomes fearful that she is transferring her affections to his friend Alex and when the passion of a fight becomes passion of another sort, their marriage is no longer in doubt. But neither knows how to admit to their feelings for fear of being rejected and much pride and fear ensue until a horrible accident makes it clear to both of them that the only thing that matters is their love for the other.
Izzy was a very complex character and there were times when I loved her, but there were also many times that I hated her. I liked that she was not a complainer, but I hated how she often came across as a doormat letting her family take huge advantage of her. I liked that she fought so passionately for those she cared about, but it came across as more than a tad ridiculous when she so virulently defended Julian to his father after having known him for such a short amount of time. I liked that she recognized her own feelings and admitted them to herself, but hated how she covered them up for so long and how that led to so much superfluous angst and heartache. I liked how she was determined to make decision about her own life but it seemed naive considering she was an unmarried women in London in the 19th century. She was full of contradictions, which is definitely a more realistic portrayal of a character, but it also made me frustrated as I found myself waffling between cheering her on and wanting her to make a decision I would agree with. Julian inspired the same contradictory feelings in me, depending on how kind and thoughtful he was being to Izzy so I was left unsure of how to really feel about either of these characters.
Their relationship was tumultuous to say the least as they seemed to be operating at cross purposes for much of the novel and both of them were so concerned that the other didn't share their feelings, that the book dragged by the middle. The two had some moments together, but I really would have liked to see more genuine interactions between these two; scenes where they weren't arguing, weren't constantly worried that their feelings weren't returned, weren't discussing how their relationship wasn't real. That really would have brought the book up in my opinion and would have made their relationship more believable and far more enjoyable. There was very little sex in the book and it was not very hot, lukewarm at best, and lead to such complex problems and more angst that it really did not seem worth it. The writing was definitely slower than I like in my romance novels, hampered by the air of depression the book took on as both of them were worried over whether the other loved them and the book took me far too long to finish.
Rating: A good first half, but the book quickly got bogged down with two characters that suffered from personality disorder and an inability to find happiness.
Labels:
2 Hearts,
Celeste Bradley,
England,
Historical,
Regency
Saturday, October 29, 2011
A Courtesan's Guide to Getting Your Man
A Courtesan's Guide to Getting Your Man by Celeste Bradley and Susan Donovan 1023
Piper Chase-Pierpont is a curator at a Boston Museum and her job hangs on the line as she is designing an exhibit on Boston's favorite abolitionist, Ophelia Harrington. She is shocked when a secret compartment reveals Ophelia's diaries which detail her beginnings as London's most sought after courtesan and her very sexy escapades with a man known as "Sir." Her life becomes even more difficult when her college crush, Mick Malloy, shows up as a guest employee of the museum looking just as delicious as ever. Reading the steamy diary and the way that Ophelia changed her life has made Piper eager to take a plunge of her own and with her best friend's help she undergoes a makeover that is more than physical. Mick has always wanted the shy bookworm, and now that she is unabashedly trying to seduce him there is no holding him back. Along with a smoking hot affair Piper has to figure out a way to plan an exhibit that is true to Ophelia and sneak it by the conservative museum trustees, all while a brown-nosing employee named Linc is trying to get her fired.
Ohelia Harrington is tired of being controlled by her family so she takes a chance and enlists the help of The Swan to become a courtesan. Swan enlists her own friend, Sir, to help train Ophelia and Ophelia embarks on 7 nights of sin with her masked stranger before she is thrown into the the real world of London's demimonde. Throughout her career she never forgets Sir and although she knows it can never be she finds herself jealous of his other lovers. Even while she finds men whose company she enjoys Sir reappears in her life occasionally, including one time to warn her off one particularly nasty man. Ignoring him, Ophelia learns a dangerous lesson and it is Sir who is there to pick up the pieces. She lives her lie in freedom, enjoying herself and those she chooses to have around her, but there will always be people who are jealous of her success and they are determined to see that she is brought low. When those forces come together their charges threaten Ophelia's life and she must once more turn to Sir, who turns out to be far different than Ophelia had expected and he offers her far more.
I loved Piper as the repressed academic whose sole attempt to be wild backfired, so she hid in her shell for years and is only just now coming out. I guess I'm a sucker for ugly duckling- beautiful swan stories and this was a great one because it had some pretty awful parents thrown into the mix to justify her actions. Mick was also great as the sexy Irish hero who was just as brilliant as Piper and his honorable attempt to do the right thing backfired and he is just now getting together with the woman who intrigued him all those years ago. Obviously their romance was short so I did kind of feel like I was missing some things and their wasn't as much romantic development as I would have liked, but I still felt like they went so well together. They had common interests and helped each other out and supported each other through some really tense situations, especially his support of her museum exhibit. They had some pretty hot sex, nothing like Ophelia's story, and I liked their story best, which surprised me because I am more into historicals then contemporaries, but I related more to this Piper than Ophelia.
Ophelia was difficult, very difficult, for me to relate to or understand because while I could see that having her life planned out for her is unpleasant, it still seems impossible that a woman of her standing in that era would throw it all away to become a courtesan. While the sadder part of that life was touched on, I still felt like it was too glorified and there was so little thought given to what she was giving up and how her "freedom" was still based on a man, even if it was different than a marriage. Sir was nearly impossible to get a feel for because none of the story was told from his point of view and while we are lead to believe he's a male prostitute, and it was even questionable weather he was the actual hero, his identity is kept a secret until the very end. The sex is scorching, with quite a bit of kink and fantasies explored, and there is certainly quite a bit of it and it is not purely between Ophelia and Sir. Their relationship progressed slowly because they didn't really see very much of each other with him just popping up randomly so it was difficult to see how they worked together.
Rating: I felt like the contemporary story was stronger in the relationship, but both stories were enjoyable and were different from what I usually go for which was a nice change of pace.
Piper Chase-Pierpont is a curator at a Boston Museum and her job hangs on the line as she is designing an exhibit on Boston's favorite abolitionist, Ophelia Harrington. She is shocked when a secret compartment reveals Ophelia's diaries which detail her beginnings as London's most sought after courtesan and her very sexy escapades with a man known as "Sir." Her life becomes even more difficult when her college crush, Mick Malloy, shows up as a guest employee of the museum looking just as delicious as ever. Reading the steamy diary and the way that Ophelia changed her life has made Piper eager to take a plunge of her own and with her best friend's help she undergoes a makeover that is more than physical. Mick has always wanted the shy bookworm, and now that she is unabashedly trying to seduce him there is no holding him back. Along with a smoking hot affair Piper has to figure out a way to plan an exhibit that is true to Ophelia and sneak it by the conservative museum trustees, all while a brown-nosing employee named Linc is trying to get her fired.
Ohelia Harrington is tired of being controlled by her family so she takes a chance and enlists the help of The Swan to become a courtesan. Swan enlists her own friend, Sir, to help train Ophelia and Ophelia embarks on 7 nights of sin with her masked stranger before she is thrown into the the real world of London's demimonde. Throughout her career she never forgets Sir and although she knows it can never be she finds herself jealous of his other lovers. Even while she finds men whose company she enjoys Sir reappears in her life occasionally, including one time to warn her off one particularly nasty man. Ignoring him, Ophelia learns a dangerous lesson and it is Sir who is there to pick up the pieces. She lives her lie in freedom, enjoying herself and those she chooses to have around her, but there will always be people who are jealous of her success and they are determined to see that she is brought low. When those forces come together their charges threaten Ophelia's life and she must once more turn to Sir, who turns out to be far different than Ophelia had expected and he offers her far more.
I loved Piper as the repressed academic whose sole attempt to be wild backfired, so she hid in her shell for years and is only just now coming out. I guess I'm a sucker for ugly duckling- beautiful swan stories and this was a great one because it had some pretty awful parents thrown into the mix to justify her actions. Mick was also great as the sexy Irish hero who was just as brilliant as Piper and his honorable attempt to do the right thing backfired and he is just now getting together with the woman who intrigued him all those years ago. Obviously their romance was short so I did kind of feel like I was missing some things and their wasn't as much romantic development as I would have liked, but I still felt like they went so well together. They had common interests and helped each other out and supported each other through some really tense situations, especially his support of her museum exhibit. They had some pretty hot sex, nothing like Ophelia's story, and I liked their story best, which surprised me because I am more into historicals then contemporaries, but I related more to this Piper than Ophelia.
Ophelia was difficult, very difficult, for me to relate to or understand because while I could see that having her life planned out for her is unpleasant, it still seems impossible that a woman of her standing in that era would throw it all away to become a courtesan. While the sadder part of that life was touched on, I still felt like it was too glorified and there was so little thought given to what she was giving up and how her "freedom" was still based on a man, even if it was different than a marriage. Sir was nearly impossible to get a feel for because none of the story was told from his point of view and while we are lead to believe he's a male prostitute, and it was even questionable weather he was the actual hero, his identity is kept a secret until the very end. The sex is scorching, with quite a bit of kink and fantasies explored, and there is certainly quite a bit of it and it is not purely between Ophelia and Sir. Their relationship progressed slowly because they didn't really see very much of each other with him just popping up randomly so it was difficult to see how they worked together.
Rating: I felt like the contemporary story was stronger in the relationship, but both stories were enjoyable and were different from what I usually go for which was a nice change of pace.
Labels:
3 Hearts,
Anthology,
Celeste Bradley,
Contemporary,
Courtesan,
England,
Historical,
Regency,
Susan Donovan
Sunday, October 17, 2010
Scoundrel in My Dreams

When little Melody is left outside the doors of Brown's Club for Distinguished Gentlemen with a note claiming that one of the members is her father there are only three possibilities. The first two are ruled out in the previous two books in the series and that leaves Lord John Redgrave, also known as Jack. Jack takes one look at Melody and knows immediately that she is his and who her mother is. Three years ago after returning from the war Jack had courting Lady Amaryllis and when she had comforted him one night they shared a passion filled night. Unfortunately the next morning she threw him over and denied their night together and he went off to sail the seven seas. He takes Melody to confront Amaryllis but she denies knowing about the child and he takes her back wondering how he could have been mistaken. But Amy has a sister who looks remarkably like her who is amazed at what she has discovered.
Laurel Clarke had been the one to sneak into Jack's room because she had long had a crush on him and she is horrified when he leaves and even more she is told that the child she conceived that night died during the birth. But Jack's appearance with Melody throws her for a loop and she runs after them determined to get back her daughter and run away. In a short period of time Jack has come to care for Melody so when he learns that Laurel is indeed the mother he can't stand the idea of her taking the girl so he locks her up in the attic. Laurel cannot stand being locked up but it isn't long before she is able to spend time with her little girl and the nice things Jack does for her makes her rethink her plan to run away. Suddenly Jack realizes that he is not only worried about Melody, but about losing the woman he loves and he knows he has to risk everything for a chance to have both of them in his life.
Well I really did not like the first book in this "Runaway Brides" series at all and did not bother to read the second one, but I decided to give this one a go and I am very glad I did. There were definite problems with it, including many things that were wrong with her previous book but it succeeded on many other levels. Jack is a tortured hero but it becomes clear when we are told his reasons for being broody and quiet that this is a man who has faced some genuinely horrible things in life and made decisions that would make everyone cringe. Laurel was well written as well as she too had faced some equally horrible circumstances in her life and they were both able to offer comfort to each other. Their reactions to the child are completely heart felt and I really wish there had been more time between the three of them, and indeed more time with just the two of them really as they spend far too much time apart.
The locking her in the attic is very hard to get around as the knee jerk reaction is to absolutely hate it but it isn't long before she is able to escape but she decides to stay for the benefit of her daughter. It was also made better because she was very aware of the psychological impact being dependent on another human being could cause. There is a lot of sex in this book, including some unusual stuff to find in a typical romance, but a lot of it is done in flashbacks instead of in real time. There was also some hints of dominance/ submission which is fine because they both enjoyed it, but then they ruined it b/c they had to get all psychoanalytical about it. I found Melody to be immensely unrealistic- she talked far too well and too much for a typical three year old and I didn't like that the book was written as if she was being told it as a story before her wedding day and there was far too many appearances by previous couples from the series.
Rating: Much better than the last book and I really did enjoy it and felt like these too had a strong relationship,but I would have liked more time between the two of them.
Sunday, November 15, 2009
Devil in My Bed

Aidan de Quincy had fallen in madly in love with Madeleine Chandler and was crushed when his marriage proposal was brutally rejected. He swore never to see her again but when a three-year old girl shows up outside his club claiming one of the members is her father Aidan has to find Madeleine in order to discover if young Melody is his. Madeleine had turned Aidan down because of her very secretive past: she faked her death to escape an abusive and controlling husband and swore never to marry again. The child is not hers but when Aidan comes calling she is desperate to escape her husband's crony and she claims the child is hers. The ruse continues when she moves into Aidan's club and shares a room with both him and Melody. It is not long before the sparks begin to fly between Aidan and Madeleine the two quickly resume where they left out. Aidan is wary of trusting her again but he is smitten by this new "family" of his and can't help but begin planning for their future together.
Realizing that things are quickly spiraling out of control and that the secrets will just continue to pile up between them Madeleine knows it's time to tell Aidan the truth and things do not go well. Aidan is crushed that she is not free to marry him and seems to completely miss the whole abusive husband aspect of her story and kicks her out. Once outside she is quickly kidnapped by her husband who holds her hostage in the attic of the club. He is quite the crazy and gets off on the idea of watching (through a peep hold) as she starves to death. When Aidan and his friend Colin realize that something is not right with Madeleine's disappearance all the club members and staff pitch in to find her and bring the bad guy to justice. What ensues is confusing and chaotic and I can't really figure out what happened, but to no one's surprise everything turns out fine, even if it would have turned out fine quite a bit earlier if Madeleine had not HAD to open her mouth and play the noble heroine.
Why can't anyone in a romance novel just take the easy route? Why couldn't Madeleine, when everything seemed as though it was going to be settled and end perfectly for everyone, have to go and open her mouth? I just don't understand why it was necessary for her to explain everything to everyone. She needed to explain it to Aidan, and us of course, but she had to have known that the constable would be within his rights to throw her in jail for her role in the whole fiasco. Why did she have to be "noble" and tell the truth? Was it really noble for her to risk getting her ass thrown in the slammer and in the process abandon Aidan and Melody? No. Stupid, stupid, stupid. As I mentioned earlier the whole rescue plot was very confusing and I couldn't figure out what window which person was hanging out of and who was aiming a gun at who, who was kidnapped by whom and why. And it was quite amazingly far-fetched with guns, kidnaps, window ledges, suicides/ murders, literally everything crammed into one book.
The whole thing also could have been over quicker if Madeleine had told Aidan the truth earlier, say when they first met, or if Aidan had not been such an ass when she was trying to tell him that she'd had an abusive husband. What kind of person throws a woman out of his life as she's telling him about a husband who used to beat her? So I was disinclined to feel that bad that she'd lied to him. The kidnap/ crazy husband plot took the greater part of the second half of the book and got a tad overwhelming as it was confusing (have I mentioned that?) and in a 320 page book was quite the page taker. I was interesting to say the least, but I would have liked more romantic development between Aidan and Madeleine. Melody was a very well written 3 year old, if a tad bit more eloquent than many of my acquaintance. Normally I wouldn't complain about book length, but in a 326 page book with large-ish type, it just seemed like there was not really all that much of a book- maybe because the characters didn't really go through the meeting each other part.
Rating: A semi- enjoyable-ish book, but, despite the short length and the fast pace, I couldn't bring myself to care about the chara
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